VideoVista logo
MONTHLY WEB-ZINE OF  
DVD & BLU-RAY REVIEWS
 
action | adventure | art | cartoon | comedy | cult | disaster | docu | drama | fantasy | horror | kung fu | monster | musical | parody | romance | satire | sequel | SF | sport | spy | surreal | 3D | thriller | TV | war | western
VideoVista covers rental and retail titles in all genres and movie or TV categories, with filmmaker interviews, auteur profiles, top 10 lists, plus regular prize draws.

HOME PAGE
INDEX OF ALL REVIEWS
SEARCH THIS SITE
COMPETITIONS
FORTHCOMING REVIEWS
TOP 10 LISTS
INTERVIEWS & PROFILES
RETRO REVIEWS SECTION
ABOUT OUR CONTRIBUTORS
READERS' COMMENTS
SUBSCRIBE TO NEWSLETTER
SITE MAP
LINKS


SUPPORT THIS SITE -
SHOP USING THESE LINKS

In Association with Amazon.com


visit other Pigasus Press sites...
The ZONE - genre nonfiction
Soundchecks - music reviews
Rotary Action - helicopter movies

February 2011

In Their Sleep

cast: Anne Parillaud, Arthur Dupont, Thierry Fr�mont, and Jean-Hugues Anglade

writers and directors: Caroline and �ric du Potet

90 minutes (18) 2010
widescreen ratio 1.78:1
Optimum DVD Region 2
[released 14 February]

RATING: 3/10
review by Tony Hill

In Their Sleep

This is a rather frustrating and, ultimately, disappointing movie considering that its first 20 minutes offer a slow tension-building French style atmosphere with an intriguing plot development. However, after that it descended into an ordinary (if rather horrible) thriller.

Our heroine, Sarah (Anne Parillaud) had persuaded her family to move out of town to a remote and dilapidated country cottage. Her husband (Jean-Hugues Anglade) spends all his time on DIY projects to get the cottage up to scratch while son Lo�c swots away at his books for his forthcoming exams. The day before these exams Lo�c announces to his parents that he was giving-up the studying and going out for the evening (where to, it was difficult to say). This causes a furore and, led by his mother Sarah, was told in no uncertain terms to get back to his books. He doesn't take kindly to this and soon climbs out of the window, slips and - with a foretaste of the rest of the movie - impales himself on several nasty-looking steel rods from the building work. Exit Lo�c in a bloody mess.

Cut to Sarah, a year later, in her job as a hospital nurse where, still grieving for Lo�c and consumed by intense guilt in her part in his death, her work is deteriorating to such an extent that her supervisor tells her to go home in the middle of her night shift. She drives off in the dark, down deserted roads in the middle of a forest... so we can guess something is about to happen and, of course, it does. Not quite what we expected, as she is stopped by the police who are looking for a thief who has broken-in to some houses in the neighbourhood.

Her papers are okay, and she drives on but very soon a wildly gesticulating young man rushes out of the bushes holding up his hand for her to stop, which she can't quite do. She helps him into the car (and we start to see her brain thinking 'Lo�c replacement'), where he tells her that an intruder broke into his house and is now chasing him to kill him to prevent him revealing his identity. She invites him to her house and they drive off. Soon they are chased by another car driven by a maniacally looking injured man - the intruder, the young man says. He gives up the pursuit and the young man, Arthur (Arthur Dupont) - not a good sign for me when the character has the same name as the actor - and Sarah reach the isolated cottage and bed-down - in separate rooms - for the night.

The maniacal driver (Thierry Fr�mont), as we expected, returns and after much ado there is a bloody finale where Sarah kills him to protect Arthur. Flashback to the incident with Arthur and maniac driver and their encounter in the broken-into house, and with some obscenely horrible violent scenes the truth is revealed. We now follow Arthur and Sarah, who still thinks Arthur is a surrogate Lo�c. And so the interesting bit of the movie is over and we now have a conventional story of single woman in lonely place in the dark with stranger. Suffice it to say that the directors (Caroline and �ric du Potet) give us two alternative paths for Sarah to take and she takes the one which is signposted right at the start of the movie.

What the point of In Their Sleep (aka: Dans ton sommeil) is, I cannot make out. Perhaps it is: one should move on, no matter the grief, and don't think that you can create a substitute for the missing one, because you can't. Too much violence and gore with some of it being, to my mind, unacceptably revolting, to illustrate these simple truths.



Premonitions in paperback - click to order

VideoVista copyright © 2001 - is published by PIGASUS Press